More visual variety is needed here. Change your angle. Find ways to integrate your movement into the storytelling. Panning across an unmoving subject is boring and unwarranted. Try positioning your camera under the controller and move from it to the player's face. The move that works the best in this piece is the zoom out from the game to the TV. This subject matter takes work on your part to present it as something dynamic even though the subject is static. You need to create the energy on your shots, movement and editing. Take a look at Dan Wolter's video. Even though there is more subject movement, it's a good example of how to take a boring subject and make it exciting.
More visual variety is needed here. Change your angle. Find ways to integrate your movement into the storytelling. Panning across an unmoving subject is boring and unwarranted. Try positioning your camera under the controller and move from it to the player's face. The move that works the best in this piece is the zoom out from the game to the TV. This subject matter takes work on your part to present it as something dynamic even though the subject is static. You need to create the energy on your shots, movement and editing. Take a look at Dan Wolter's video. Even though there is more subject movement, it's a good example of how to take a boring subject and make it exciting.
ReplyDeleteI can completely relate to this. My bf will not get off the ps3 unless you pay him with food or something lol great subject matter.
ReplyDelete